{"id":11,"date":"2014-06-28T23:59:33","date_gmt":"2014-06-28T21:59:33","guid":{"rendered":"http:\/\/test.michael-thele.de\/?page_id=11"},"modified":"2018-12-03T23:20:33","modified_gmt":"2018-12-03T22:20:33","slug":"pressestimmen","status":"publish","type":"page","link":"https:\/\/www.michael-thele.de\/en\/pressestimmen\/","title":{"rendered":"Press review"},"content":{"rendered":"<p><\/p>\n<blockquote><p>Guitar sounds from the guitar king<\/p>\n<p>&#8230; Michael Thele was heard with Aguado&#8217;s technically demanding &#8220;Rondo brillante&#8221;. &#8230; highly emotional and poetic passages and fun were also made by de Falla&#8217;s lively and attentive dance at the end.<\/p><\/blockquote>\n<p>Ruhr Nachrichten<\/p>\n<blockquote><p>Guitar teacher inspires concert audience<\/p>\n<p>&#8230; Michael Thele understood to inspire the audience on Sunday evening,&#8230; with the piece &#8220;Sonata para guitarra sola&#8221; by Leo Brouwer he finished his successful guitar concert.<\/p><\/blockquote>\n<p>M\u00fcnstersche Zeitung<\/p>\n<blockquote><p>Bandwidth of the instrument explored<\/p>\n<p>&#8230; &#8220;Due Canzoni Lidie&#8221; by Nuccio D&#8217;Angelo: Michael Thele knew how to expressively express this work with an atmospheric atmosphere and to give the sounds effective space.<br \/>\n&#8230; it was an extraordinarily difficult and demanding program &#8230; the audience rewarded the performance of the musician with much applause.\n<\/p><\/blockquote>\n<p>Westf\u00e4lische Nachrichten<\/p>\n<blockquote><p>20th century sounds out<\/p>\n<p>&#8230; Michael Thele sensitively emphasized the introverted feel of this impressionistically inspired work in Antonio Jose&#8217;s sonata.<br \/>\nWith a keen sense of intertwined South American rhythm and avant-garde sound structures, he took on Leo Brouwer&#8217;s Sonata. He effectively juxtaposed the pastoral sounds with expressionist sounds of the finale.\n<\/p><\/blockquote>\n<p>Westf\u00e4lische Rundschau<\/p>\n<blockquote><p>With dance, guitars and a lot of singing<\/p>\n<p>Rheinische Post&#8230; as a further attraction the &#8220;Granados guitar duo&#8221;: both musicians dominate their instrument on a high artistic level and are perfectly attuned to each other.<br \/>\n&#8220;Granada&#8221;, &#8220;Andaluza&#8221; and the wonderful &#8220;El Mono Azul&#8221; can rarely be enjoyed live in this be\n<\/p><\/blockquote>\n<p>Rheinische Post<\/p>\n<blockquote><p>Trio with Spanish flair<\/p>\n<p>Montero thrilled at the first concert at Schloss Westerwinkel<\/p>\n<p>&#8230; in a sure, strikingly complex interpretation &#8211; a sound experience that was authentic and throws new, enlightening perspectives on the work.\n<\/p><\/blockquote>\n<p>Ruhrnachrichten<\/p>\n<blockquote><p>Musicians conjured sun in the ears<\/p>\n<p>&#8230; Trio Montero opens the season with masterful guitar playing.<\/p>\n<p>The musicians presented a grown homogeneity.<\/p><\/blockquote>\n<p>Westf\u00e4lische Nachrichten<\/p>\n<blockquote><p>Like a sunny day in the south<\/p>\n<p>&#8230; Guitar music full of poetry &#8211; &#8220;Trio Montero&#8221; drew sound pictures with the guitar. The musicians tore with their dedicated game &#8211; just wonderful &#8230;<\/p><\/blockquote>\n<p>Westfalenpost<\/p>\n<blockquote><p>Trio Montero stirs<\/p>\n<p>&#8230; the virtuoso play of the guitarists makes the audience sit up &#8211; the solos are also impressive. &#8230; with enthusiastic applause the guests thank you for a special concert <\/p><\/blockquote>\n<p>Allgemeine Zeitung<\/p>","protected":false},"excerpt":{"rendered":"<p>Guitar sounds from the guitar king &#8230; Michael Thele was heard with Aguado&#8217;s technically demanding &#8220;Rondo brillante&#8221;. &#8230; highly emotional and poetic passages and fun were also made by de Falla&#8217;s lively and attentive dance at the end. Ruhr Nachrichten Guitar teacher inspires concert audience &#8230; Michael Thele understood to inspire the audience on Sunday [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/pages\/11"}],"collection":[{"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":8,"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":224,"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/pages\/11\/revisions\/224"}],"wp:attachment":[{"href":"https:\/\/www.michael-thele.de\/en\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}